Writer’s Block and Overthinking: How to Shift Out of Your Head in 90 Seconds

Creative Flow, Featured, Mindset • March 12, 2026

Have you ever sat down to write with every intention of making progress… and somehow ended up stuck in your own head?

You reread the same paragraph.
You start analysing every sentence.
Your internal voice gets louder and more critical.

And instead of writing, you find yourself evaluating, questioning, and second-guessing.

Many writers assume this means something is wrong with them. They think they lack discipline, confidence, or talent.

But what’s often happening in moments like this has far less to do with ability — and far more to do with state.

Understanding how your state shifts, and how to reset it quickly, can change the entire way you approach writing sessions.


The Difference Between Traits and States

A helpful place to begin is by understanding the difference between traits and states.

Traits are relatively stable patterns. In earlier discussions about writing psychology, you may have explored personality tendencies or the different ways writers naturally approach structure, creativity, and pressure. Those patterns tend to remain fairly consistent over time.

Your dominant NLP modality — whether visual, auditory, kinaesthetic, or auditory digital — is also relatively stable. It describes the sensory channel your brain most naturally uses when processing and generating ideas.

A state, however, is something very different.

A state is temporary. It reflects what is happening in your nervous system and mind in a specific moment.

Confidence is a state.
Overwhelm is a state.
Creativity is a state.
Analysis is a state.

Your traits influence your natural tendencies, but your state determines what feels accessible right now.

You might normally visualise scenes easily when writing, but if you are anxious, those images may feel chaotic or overwhelming. A writer who usually accesses emotion through kinaesthetic awareness may find their body tightening when pressure rises. A writer who enjoys structured thinking may slip into over-analysis when uncertainty appears.

In other words, when you feel stuck in your head while writing, your modality hasn’t changed.

Your state has.

And states can shift.


Why Writers Get Stuck in Their Head

When writers describe feeling “stuck in their head,” they are often describing a protective response in the brain.

When the mind perceives pressure — even subtle creative pressure — the nervous system shifts toward protection. The brain begins prioritising evaluation and problem-solving rather than imagination and generative thinking.

For many writers, this protective state shows up as heightened analysis. Internal dialogue becomes louder and faster. Instead of creating, the mind starts evaluating.

But other writers may experience this narrowing differently. Visual writers might notice overwhelming mental images about the scale of the project. Kinaesthetic writers might feel tightness in the chest or stomach. Auditory writers might hear a critical inner voice commenting on every word.

Different modalities respond differently — but the pattern underneath them is the same.

The system has moved into protection.

And when the brain is in protection, creativity becomes harder to access.


Emotions and the Stories That Sustain Them

Another important insight about states is that emotional reactions in the body tend to be surprisingly brief.

A physiological emotional response typically lasts around sixty to ninety seconds. After that point, if the emotion continues, it is often being maintained by internal narrative — the thoughts, interpretations, and mental rehearsals we repeat about what just happened.

In other words, the original state may have been automatic. But the extended spiral is frequently sustained by the story the mind keeps telling.

Once you recognise that pattern, it becomes much easier to interrupt it.


Understanding Submodalities

One of the most powerful ways to shift state comes from understanding submodalities.

Modalities describe the channel your brain uses to process experience — images, sounds, feelings, or structured internal language.

Submodalities describe the qualities within those channels.

For example, if you imagine your manuscript right now, you may notice certain visual qualities. The image might appear bright or dim. Large or small. Close to you or further away.

If you notice internal dialogue while writing, you may observe qualities such as volume, speed, and tone. The voice may sound loud or quiet, rushed or measured.

Physical sensations also have qualities. A feeling might sit tightly in the chest, heavily in the stomach, or feel more open and relaxed in the body.

These qualities influence intensity.

When your mental images are too close, too bright, or too large, they can feel overwhelming. When an internal voice becomes loud, fast, or sharp, it can feel urgent and demanding. When physical sensations tighten in the body, the experience can feel constricted.

And when internal experience feels overwhelming, urgent, or constricted, creativity naturally tightens as well.

The encouraging news is that these qualities are adjustable.

You do not need to eliminate the image, silence the voice, or suppress the feeling.

You simply adjust the internal settings.


The 90-Second Creative Reset

When writers feel stuck in a spiral of overthinking, it can feel as if the problem is complicated.

In reality, the shift back toward creativity can happen surprisingly quickly.

The 90-Second Creative Reset is a simple process that interrupts the protective state and creates space for creative access again.

Step 1: Interrupt the Body

The first step is physical.

Sit up taller. Roll your shoulders back. Uncross your arms. Place your feet firmly on the floor.

State lives in physiology first. When posture shifts, the nervous system registers change.

You are not forcing confidence. You are interrupting contraction.

Step 2: Regulate the Breath

Next, regulate the breath using box breathing.

Inhale through your nose for four seconds.
Hold the breath for four seconds.
Exhale slowly for four seconds.
Pause for four seconds before inhaling again.

Two full cycles of this breathing pattern help steady the nervous system and slow the mental pace. As the breath evens out, the stress response begins to settle.

When the stress response settles, creativity becomes easier to access.

Step 3: Adjust the Internal Experience

Now notice what feels most intense or present about your writing right now.

You may see an image of an unfinished chapter.
You may hear internal commentary evaluating your work.
You may feel a tight sensation in the body.
Or you may notice a stream of structured thoughts analysing what needs fixing.

Once you notice what is most prominent, adjust the internal settings.

If it is an image, move it slightly further away. Dim the brightness or make it smaller.

If it is an internal voice, lower the volume, slow the pace, or soften the tone.

If it is a stream of analytical thoughts, imagine placing those thoughts into a mental folder labelled “For Editing Later.” You are not dismissing them — you are simply sequencing them.

If it is a physical sensation, imagine the feeling loosening, spreading out, or becoming lighter.

These small adjustments reduce intensity. And when intensity reduces, the brain shifts from protection back toward creativity.


Returning to the Page

Once your system feels steadier, return to your writing gently.

You do not need to prove anything. You do not need to force momentum.

The goal is simply to re-enter the creative space from a calmer state.

When your nervous system feels safe, creativity becomes far more accessible.


Listen to the Podcast Episode

If you’d like to hear the full conversation exploring these ideas, you can listen to the episode here:

🎧 Listen to Write the Darn Book on Apple Podcasts
https://podcasts.apple.com/us/podcast/write-the-darn-book-beat-writers-block/id1858775581


Ready for Deeper Support?

And if this conversation sparked something for you — you’re ready to stop circling your book idea and start making real progress, I’d love to support you through my one-to-one writing coaching I offer for both fiction and non-fiction authors.

Together, we build a clear roadmap for your book, strengthen your structure and writing rhythm, and work through the mindset blocks that often pop up along the way.

I walk beside you through the process, but you’re the one who writes the book.

If you’re ready to take that next step, head to maddisonmichaels.com/coaching and book a Clarity Call. I’d love to explore what’s possible for you and how I can support you in achieving your writing goals. 💗

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